The First Disaster Film Ever Made Was Lost for Nearly Half a Century (2024)

The Big Picture

  • Deluge, released in 1933, is considered the first disaster film, showcasing destruction on a global scale.
  • The film focuses on the aftermath of disasters, portraying the dark and hopeful aspects of humanity post-catastrophe.
  • Rescued from obscurity in 2016, Deluge was rediscovered and restored, solidifying its place in cinematic history.

The disaster film has long fascinated the movie-going public, a window into destruction on a massive scale from the safety of a theater seat. And Hollywood has taken great glee in just how that destruction is meted out: earthquake, fire, asteroid, alien invasion, even sharknado. You name the cataclysmic event, someone has committed it to film. But every Dante's Peak, Armageddon, and The Towering Inferno owes a debt to the film that started it all, a classic that came out the other side of its own disaster, considered lost for almost a half-century. That film is 1933's Deluge, the first full-length disaster film.

The First Disaster Film Ever Made Was Lost for Nearly Half a Century (1)
Deluge

A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.

Run Time
70 minutes

Director
Felix E. Feist

Release Date
August 13, 1933

Actors
Peggy Shannon, Sidney Blackmer, Lois Wilson, Matt Moore, Fred Kohler

Civilization Falls to 'Deluge'

Warnings ring throughout New York City, ordered by scientists that discover a violent storm is headed towards the city, which they attest to disruptions with the natural barometric patterns. In fact, they believe something even worse is nigh, and their beliefs are confirmed when an eclipse of the sun sets off destructive events across the world. Unending earthquakes have hit Rome and London, and have destroyed the entirety of the United States west coast, killing millions. Tsunamis caused by the devastating tremors threaten to take millions more.

To escape the oncoming tsunami approaching New York, Martin Webster (Sidney Blackmer) and his wife, Helen (Lois Wilson), take their children to a high rock formation. Martin doubles back to gather more food and clothes, but his timing couldn't be worse: the destruction of New York begins while he's en route. Earthquakes take down the buildings of New York's famed skyline, and large tsunamis strike the city, making short work of those still standing. Martin manages to return to where he left his family, which now stands as an island, only they are nowhere to be found. Believing they have died, the distraught Martin does what he can to survive, building a shelter and hiding his supplies in a tunnel.

Disaster Brings Out the Worst in Man in 'Deluge'

Meanwhile, on another island, Jepson (Fred Kohler) and Norwood (Ralf Harolde) come upon an unconscious Claire Arlington (Peggy Shannon), a world-class swimmer who has washed up just outside their cabin. The men feud over her as she recovers, but when Claire is attacked, she flees and swims away. The men are outraged, and it drives Jepson to kill Norwood, and then goes searching for a boat to chase after Claire and bring her back. Claire ends up on Martin's island, and Martin takes the exhausted Claire back to his cabin. Soon, their friendship becomes something more.

Ah, if only Martin knew that his wife was on the same island, one of a group of survivors who band together to form a town and start civilization back up. Tom (Matt Moore), the de facto leader of the town, finds Helen after the disaster and takes her and the children under his wing, but is refuted by Helen after proposing, as she is convinced Martin is still alive. Back to Jepson, who has made it to the island and finds Martin's tunnel. He then runs into Bellamy (Philo McCullough) and his gang of thugs, driven out of the newly formed town for committing rape and theft, and joins them. When he finally does find Martin and Claire, Jepson overcomes Martin, kidnaps Claire, and returns to Bellamy's hideout. But just as Jepson is about to rape Claire, Martin sneaks in and rescues her.

The pair flee to Martin's tunnel, but are followed by Jepson and Bellamy's gang, who set a fire at the entrance of the tunnel to force them out. His plan doesn't work, so he enters the tunnel to confront Martin and Claire. As the two men fight, Claire kills Jepson with a spiked club. They are then rescued by a group of men from the town, who tracked Bellamy and his gang to the tunnel. They return to the town, and Martin is reunited with his family. Martin then proceeds to tell Helen about Claire, and tells her that he loves both of them and will not choose between them (it takes a bigamy man to do so), and neither woman is willing to step back for the other. Awkward. As for the town, Martin establishes a monetary system in a successful effort to cut down ugly disputes, and is soon elected mayor. Then Claire sees Martin with Helen at a town meeting, and realizes that she can't be with him. Heartbroken, she returns to the sea, with Martin on the shore watching her swim away.

'Deluge' is More Than Just a Disaster Movie

The First Disaster Film Ever Made Was Lost for Nearly Half a Century (2)

Deluge was groundbreaking, literally, not only as the first disaster movie, but as the first time a major metropolitan center of the day and age gets leveled on screen. The Empire State Building tumbles to the ground, a tsunami sends the Statue of Liberty to a watery grave, and the streets are torn asunder. We take it for granted today, where giant ice spikes rip apart roads and landmarks are thoroughly destroyed, but for the time, it's pretty impressive. The practical effects of the obliteration of New York stand out, a bold first attempt at staging disaster on such a large scale, aided by a miniature set some 100 feet wide, with crude travelling mattes that placed people into the devastation. Per the previously cited AV Club, the footage was sold to B-movie producers and recycled in serials well into the 1940s. The wave that crashes into New York in The Day After Tomorrow would seem to borrow the moment from Deluge, proving its impact on the genre well into today.

But Deluge is something much, much more. The disasters that befall the globe all occur in the opening moments of the film, while the bulk of it focuses on the aftermath, and what man becomes when everything is taken away. Fun fact: it's not pretty. Being a pre-Code film (and likely one of the stronger reasons for its enactment), the film paints a pretty vivid picture, one that is dark, hopeful, and, given its bigamy bend and how Shannon parades about scantily clad, scandalous. Those dark elements are dark, with Bellamy's gang preying upon survivors, raping and murdering women (off-screen, but there's no question that they have taken place), Norwood and Jepson's molesting of Claire, and a partial glimpse of a victim that is among the most disturbing images of that era. Yet knowing that the survivors are finding a way to rebuild civilization offers hope.

This would all be for naught had Deluge remained lost, one of many classic-era films never to be seen again. But thanks to horror/sci-fi archivist Forrest J. Ackerman, an Italian-dubbed print was found in 1981. The quality was decidedly poor, but it was all that was thought to have existed of the genre-launching film. Then came 2016, when Lobster Films unearthed a 35mm nitrate negative, complete with an English soundtrack. Lobster had a 2K restoration scan done on it, and Deluge was reintroduced to the world in all its glory, a Hollywood ending for an end-of-the-world classic.

Deluge is available to stream in the US on Kanopy.

Watch on Kanopy

The First Disaster Film Ever Made Was Lost for Nearly Half a Century (2024)

FAQs

The First Disaster Film Ever Made Was Lost for Nearly Half a Century? ›

But every Dante's Peak, Armageddon, and The Towering Inferno owes a debt to the film that started it all, a classic that came out the other side of its own disaster, considered lost for almost a half-century. That film is 1933's Deluge, the first full-length disaster film.

What was the first disaster movie ever made? ›

Natural disasters

Deluge (1933) "the first studio produced narrative disaster picture."

What was the 1996 epic disaster film? ›

Twister is a 1996 American disaster thriller film directed by Jan de Bont from a screenplay by Michael Crichton and Anne-Marie Martin.

Why were disaster movies popular in the 70s? ›

Perhaps the disaster genre was commercially and critically well-received in the '70s because the chaos was spectacular, entertaining and explicitly fictional, unlike the political and economic chaos of real life.

What makes a disaster film? ›

A subgenre of action films, these films usually feature some degree of build-up, the disaster itself, and sometimes the aftermath, usually from the point of view of specific individual characters or their families or portraying the survival tactics of different people.

What was the 1st movie ever made? ›

The first motion picture film is believed to be Louis Le Prince's Roundhay Garden Scene. This film was recorded in Leeds in England in 1888. It is approximately 2 seconds long and shows some of Louis Le Prince's family members walking around a garden. But how was it filmed?

What was the first Lost World movie? ›

The Lost World is an American silent movie premiered on 8 february 1925 at the Astor Theatre (New York, USA) produced by First National Pictures starring Wallace Beery as Professor George Challenger. 68 minutes. The movie is the first adaptation of the Conan Doyle's novel The Lost World.

What was the number one movie in 1970s? ›

1. Star Wars: Episode IV - A New Hope.

Why do people hate disaster movie? ›

The site's critical consensus reads, "Returning to their seemingly bottomless well of flatulence humor, racial stereotypes, and stale pop culture gags, Jason Friedberg and Aaron Seltzer have produced what is arguably their worst Movie yet." On Metacritic, the film has a score of 15 out of 100 based on reviews from 12 ...

Was Airport the first disaster movie? ›

Based on Arthur Hailey's 1968 novel of the same name, it originated the 1970s disaster film genre.

Is Jaws a disaster movie? ›

Point is, Jaws isn't so much a pandemic movie, but the arrival of the pandemic may help to re-contextualize its importance (or add to it) because it is a de facto descendant of a disaster movie genre.

What is the most scientifically accurate disaster movie? ›

Dante's Peak is one of the more scientifically accurate disaster films on this list, mostly because it drew inspiration from the real-world events prior to the 1980 eruption of Mt. St. Helens, as well as the 1985 Nevado del Ruiz eruption in Colombia.

Why are disaster movies so popular? ›

In other words – our love for Disaster movies is our unconscious trying to cope and perhaps even tell us something: the Disaster we love to see in movies are playing out in the real world and we would be well advised to stop thinking of them as only existing in the movies but instead wake and look around us all become ...

When was the first apocalypse movie made? ›

This essay describes the antecedents and causative forces giving rise to the birth of apocalyptic cinema in the early 20th Century and the first apocalyptic feature, Verdens Undergang (1916).

What was the world's first movie? ›

Roundhay Garden Scene is a short silent motion picture filmed by French inventor Louis Le Prince at Oakwood Grange in Roundhay, Leeds, in Northern England on 14 October 1888. It is believed to be the oldest surviving film. The camera used was patented in the United Kingdom on 16 November 1888.

What was the 1st War of the World movie? ›

The War of the Worlds (also known in promotional material as H. G. Wells' The War of the Worlds) is a 1953 American science fiction thriller film directed by Byron Haskin, produced by George Pal, and starring Gene Barry and Ann Robinson.

What was the first zombie apocalypse movie? ›

A small, but not insignificant, number of films of the Teens and Twenties utilized plots which included voodoo themes, but none of them have survived. Instead, the distinction of being the first zombie movie is usually awarded to Victor Halperin's 1932 opus, White Zombie.

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